Poet,
painter, art critic, Emile Bernards friend writes in January 1890
in the Mercure de France a long, laudative article which is probably one
of the best written on Vincents work to this day. He refers to his
passionate will to scream his own essential song in the most powerful
tone..., his cheek to peer at the sun face to face...a fanatic opposed
to the middle-class restraints, a kind of drunk giant, a brain in a ferment
pouring its lava into arts ravines... |
Aurier
Poet, painter, art critic, Emile Bernards friend writes in January 1890
in the Mercure de France a long, laudative article which is probably one of
the best written on Vincents work to this day. He refers to his
passionate will to scream his own essential song in the most powerful tone...,
his cheek to peer at the sun face to face...a fanatic opposed to the middle-class
restraints, a kind of drunk giant, a brain in a ferment pouring its lava into
arts ravines...
When
Vincent, who was in Saint Rémy and had just gone through a fit, received
this article sent by Theo, he was amazed, saying he was flabbergasted
no
need to tell you I hope I will go on thinking thats not the way I paint,
but the way I should paint.
In his thank you letter to Aurier, Vincent refers to Monticelli, Gauguin, Quost,
Janin rather than himself
the part I play or the part I am to play
will remain, I can assure you, most secondary.
According to Jo, Aurier must have met Vincent on Sunday July 6th. But there
is no mention of this any of Vincents letters, which is rather surprising
if we consider the great impact of the article upon him.